Résumé : The slides were taken on collecting trips sponsored by the William L. Bryant Foundation, where books, music and art indigenous to the regions were gathered. They are organized by geographical location.
People standing at the window of a retail store. This building’s walls feature 1960s inspired contemporary art paintings of flowers, text, and a stylized bird. Art paintings on the building’s walls include the following statements “I Was Lord Kitchener's Valet” and “Sock It to Me.” According to the Barbados Corporate Affairs and Intellectual Property Office (CAIPO), "I Was Lord Kitchener's Valet" was registered in Barbados on November 25, 1968. "I Was Lord Kitchener's Valet" was a boutique store in London during the 1960s, which sold secondhand uniforms and military memorabilia. This image also features the store’s memorable sign which was inspired by the famous 1914 military recruitment poster designed by Alfred Leete. The sign and poster features Lord Horatio Herbert Kitchener, then Secretary of State for War, pointing at the viewer with the words “Your Country Needs You.” However, this store's sign also features the Union Jack flag behind Lord Kitchener’s image. According CAIPO, The Bornn Bay Rum Co. was registered in Barbados on September 3, 1940. It was a subsidiary of the Bornn Distilling Co. of New York. Bay rum is a type of aftershave lotion made from bay leaves. Automobiles passes a Texaco sign along the street. Slide labeled Barbados Bldg. in Psychedelic Colors.
Barbados -- Caribbean region

Droits : All rights to images are held by the respective holding institution. This image is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce images and/or for copyright information contact Special Collections & University Archives, University of Central Florida Libraries, Orlando, FL 32816 phone (407) 823-2576, email: speccoll@ucf.edu
CFM1972_01a
Sheet 21: 3
http://ufdc.ufl.edu/AA00019197/00001

Éditeur(s) : Art Asia America, a Digital Archive of Asian/Asian American Contemporary Art History Art Asia America, a Digital Archive of Asian/Asian American Contemporary Art History
Résumé : Record item with link to the full digital resource added to support use of this text in the Panama Silver, Asian Gold course to be taught at three institutions starting in Fall 2013.

Droits : See the holding digital archive for information on rights: http://artasiamerica.org/works/454/51
http://ufdc.ufl.edu/AA00015987/00001

Éditeur(s) : Caribbean IRN Caribbean IRN
Résumé : (Funding) Support for the development of the technical infrastructure and partner training provided by the United States Department of Education TICFIA program.
The first meeting of the Caribbean Region of the International Resource Network was an undeniable success. The more than thirty people present came from or have relationships with over a dozen Caribbean countries and territories using all four major languages of the region. They are activists, scholars, politicians, and artists – and many occupy more than one of these roles at once. In addition to individual introductions, an important element of the meeting was brief reports of the major issues faced by sexual minorities in different Caribbean countries and territories. This enabled participants to have a better idea of the historical and contemporary situations in places with which they were less familiar.

Droits : All rights reserved by the source institution.

Éditeur(s) : Londres : T. Woolmer
Siècle(s) traité(s) : 19
Provenance : Archives départementales de Guadeloupe
Permalien : http://www.manioc.org/patrimon/ADG18190
ADG18190

Éditeur(s) : UF Center for Latin American Studies UF Center for Latin American Studies ( Gainesville, FL )
Résumé : (Biographical) Peter Szok teaches Latin American history at Texas Christian University. He received a PhD from Tulane University and has specialized in art, intellectual history, and popular culture. He is the author of Wolf Tracks: Popular Art and Re-Africanization in Twentieth-Century Panama (2012) and ‘La última gaviota’: Liberalism and Nostalgia in Early Twentieth-Century Panama (2001). His current projects include on a book on indigenous intelligentsia in contemporary Panama and a manuscript on Murphy Antoine and New Orleans folk art.
Panama

Droits : All rights reserved by the author/creator; permissions granted for online access, preservation, and Fair Use.
http://ufdc.ufl.edu/AA00020388/00001

Éditeur(s) : Université des Antilles Études caribéennes
Résumé : L’art respire et inspire le monde, si bien qu’il ne peut être appréhendé isolément de son contexte, de son époque. La création contemporaine, quant à elle, par son caractère protéiforme et foisonnant, est le reflet singulier d’une planète devenue multipolaire et où, régulièrement, est mise en crise la notion de frontière. Au même moment, cette création est capable d’inventer des formes inédites, qui, à l’instar des utopies du xviiie siècle, ont pour vocation de construire de nouveaux espaces, de nouvelles contrées, sous l’angle d’un idéal mêlant éthique et esthétique. Dès lors, il convient de souligner sa possible faculté à « artialiser » le monde. Les biennales ou triennales, produits de l’industrie culturelle et par conséquent, sujettes aux effets de la mondialisation, ont rendu particulièrement visibles ces œuvres, en façonnant des territoires, des ar-t-chipels, suffisamment attractifs pour drainer, de fait, des flots de touristes en leur direction. Ce migra-r-teur, trouvant là des zones protégées, pourrait y expérimenter une possible façon d’habiter poétiquement un monde perçu comme inhospitalier.
Art feeds on and inspires the world so that it cannot be appreciated neither on its own nor out of its context. As for contemporary art by its protean character and its multiplicity, it is the spitting image of a planet that has become polarized where the notion of frontier is constantly changing. At the same time, contemporary art is capable of inventing original forms which, following the example of the xviiith century utopias, have the purpose of building new spaces, new territories, from the point of view of an ideal where ethics and aesthetics entertwine. Hence it is advisable to highlight its possible capacity to “artialise” the world. The biennial or triennal events, fruits of the cultural industry and consequently prone to the effects of globalisation, have made those pieces of art particularly visible, by shaping territories, ar-t-chipelagoes, attractive enough to draw, henceforth, flows of tourists in their direction. That migr-art-ist finding in those places, protected areas, could experiment there a potential way of living poetically in a world seen as hostile.
El arte respira e inspira al mundo de modo que no puede ser comprendido sin ser vinculado con su contexto, su época. La creación contemporánea por su parte, por su caracter proteiforme y abundante es el singular reflejo de un planeta que se ha vuelto multipolar donde se debate con frecuencia la noción de frontera. En el mismo momento, esta creación es capaz de inventar formar inéditas, que como las utopias del siglo xviii, tienen como vocación construir nuevos espacios, nuevos parajes en términos de un ideal a la vez ético y estético. Desde entonces, cabe subrayar su posible facultad para « artialiser » al mundo. Las bienales o trienales, productos de la industria cultural y por lo tanto sujetas a los efectos de la globalización han hecho visibles estas obras, al crear territorios, unos ar-te-chipielagos, lo suficientemente atractivos como para atraer a miles de turistas. Ese migrante del arte, al encontrar allí unas zonas protegidas podría experimentar una forma posible de ocupar poéticamente un mundo visto como inhóspito.

Droits : info:eu-repo/semantics/openAccess
urn:doi:10.4000/etudescaribeennes.11291
http://journals.openedition.org/etudescaribeennes/11291

Éditeur(s) : Paris : Recueil Sirey
Résumé : 6e édition, entièrement revue et condensée par Maurice Besson. Introduction générale par René Maunier.
Siècle(s) traité(s) : 16
Droits : Domaine public
Provenance : Communauté d'agglomération de La Rochelle. Médiathèque Michel-Crépeau
Permalien : http://www.manioc.org/patrimon/MMC16029
MMC16029

Éditeur(s) : Edinburgh : Adam and Charles Black
Siècle(s) traité(s) : 19
Provenance : Université Caen Normandie. Service commun de la documentation
Permalien : http://www.manioc.org/patrimon/CAE19033_1
CAE19033_1

Éditeur(s) : London : H. Colburn and R. Bentley
Siècle(s) traité(s) : 19
Droits : Domaine public
Provenance : Collectivité territoriale de Martinique. Bibliothèque Schoelcher
Permalien : http://www.manioc.org/patrimon/SCH13081
SCH13081

Résumé : Au début du vingtième siècle, une rupture radicale et fondatrice de modernité artistique eut lieu au Brésil. Cette modernité se démarque de celle d’Europe par la prise de conscience des distances géographiques, culturelles et politiques vis à vis de l’Europe et surtout de l’ancienne puissance coloniale, le Portugal, par la recherche de son identité à travers la multiplicité des métissages du Nouveau Monde, ses mythes et son histoire réelle décolonisée. L’avant-garde brésilienne émerge autour de 1928, à travers les Manifestes anthropophages d’Oswald de Andrade (1890-1954) qui est donc le fondateur des anthropophagies, que l’on peut définir comme un indianisme à rebours. Le ″mauvais sauvage″ exerce sa critique contre les impostures du monde. « La ″Descente anthropophagique″ n’est pas une révolution littéraire, ni sociale, ni politique, ni religieuse. Elle est tout cela à la fois ! Sa loi est simple : Ne m’intéresse que ce qui n’est pas à moi ! Loi de l’homme, loi de l’anthropophagie ! » . Elle prescrit donc la dévoration des modèles importés et leur digestion dans l’hybridation au nom de l’identité brésilienne, par déplacement de concepts freudiens : « L’anthropophagie c’est la transformation permanente du Tabou (manger de l’homme) en Totem (de l’identité brésilienne) ! » . Ici l’influence notable de la psychanalyse et de l’anthropologie est à resituer : le déplacement du tabou anthropophage demeure une transgression symbolique, une métaphore, mais la référence anthropophagique ne concerne pas que la période précolombienne, car elle se réactualise. Nous nous proposons d’étudier ce phénomène à travers quatre questions : 1°- Quelles relations existent entre l’anthropophagie, l’histoire, l’esthétique et l’idéologie ? 2°- Quelle est la place des femmes artistes brésiliennes dans l’émergence de ce mouvement, compte tenu de leur présence décisive dès l’origine ?3°- Compte tenu de la résurgence rhizomique de l’anthropophagie dans la 2e moitié du XXe siècle, y compris jusqu’à aujourd’hui, quelle est la place des femmes artistes dans ce phénomène ? Y a-t-il continuité avec l’époque fondatrice ?4°- Etant donné ce qui précède, peut-on déduire qu’il existe un courant spécifiquement féminin dans l’anthropophagie d’hier et d’aujourd’hui ? Quelle est son importance réelle ? Quelles sont ses relations et postures par rapport à la postmodernité et à la mondialisation de l’art contemporain ?
At the beginning of the twentieth century, in Brazil, a radical artistic rupture took place, which marked the beginning of a new era. The resulting modernity differed from its European counterpart by the awareness of geographical, cultural and political distances that alienated Brazil from Europe and more specifically from its former colonial owner, Portugal. Brazilian modernity sought to define its identity through important basic elements that constitute the stuff that the New World is made of: cross-breeding, mythology and post-colonialism. The Brazilian avant-garde emerged around 1928 with the publication of The Anthropophagy Manifesto by Oswald de Andrade (1890-1954), who is thus the founder of the Anthropophagy, that we can define as a backward step into a reinvented form of ″Amerindianness″. The ″bad savage″ voices his criticism against impostures of the world. « Anthropophagy art is not a literary revolution, nor is it a social plea, nor a political pamphlet, nor a religious tract. It is all these things at the same time. Its law is simple: everything that is not me is of interest to me. The law of men is the law of Anthropophagy ». It thus prescribes eating up imported models and digesting them through the process of hybridization in the name of Brazilian identity. By displacing Freudian concepts, «Anthropophagy is the permanent transformation of the Taboo (man-eating) into a Totem (Brazilian identity) ». The permeating influences of psychoanalysis and anthropology need to be put in perspective: the displacement of the anthropophagous taboo remains a symbolic act of transgression, a metaphor, but the anthropophagic reference does not concern the pre-Columbian period, because it is updated. We propose to study this phenomenon through four questions: 1°- What are the relations between Anthropophagy, history, esthetics and ideology? 2°- What is the place of women Brazilian artists in the emergence of this movement, taking into account their decisive presence right from the start? 3°- Taking into account the resurgence of Anthropophagy from the second half of the 20th century onwards, what is the place of women artists in this phenomenon? Are they pursuing the same interests as the founders of the movement?4°- Can we deduce that there exists a specifically female genre within the anthropophagic movement of yesterday and of today? If so, what is its relevance? Where does it stand with respect to the contemporary concepts of post-modernity and globalization in the present-day art world?

http://www.theses.fr/2014AGUY0766/document

Éditeur(s) : HAL CCSD Wiley
Résumé : International audience
Coral bleaching events threaten coral reef habitats globally and cause severe declines of local biodiversity and productivity.Related to high sea surface temperatures (SST), bleaching events are expected to increase as a consequenceof future global warming. However, response to climate change is still uncertain as future low-latitude climatic conditionshave no present-day analogue. Sea surface temperatures during the Eocene epoch were warmer than forecastedchanges for the coming century, and distributions of corals during the Eocene may help to inform models forecastingthe future of coral reefs. We coupled contemporary and Eocene coral occurrences with information on their respectiveclimatic conditions to model the thermal niche of coral reefs and its potential response to projected climate change.We found that under the RCP8.5 climate change scenario, the global suitability for coral reefs may increase up to 16%by 2100, mostly due to improved suitability of higher latitudes. In contrast, in its current range, coral reef suitabilitymay decrease up to 46% by 2100. Reduction in thermal suitability will be most severe in biodiversity hotspots, especiallyin the Indo-Australian Archipelago. Our results suggest that many contemporary hotspots for coral reefs,including those that have been refugia in the past, spatially mismatch with future suitable areas for coral reefs posingchallenges to conservation actions under climate change.
ISSN: 1354-1013

hal-01145464
https://hal.archives-ouvertes.fr/hal-01145464
DOI : 10.1111/gcb.12868

Éditeur(s) : [S.l.] : Murray
Siècle(s) traité(s) : 15
Droits : Domaine public
Provenance : Université des Antilles. Service commun de la documentation
Permalien : http://www.manioc.org/patrimon/HASH01e2102939980928ba16e7a3
HASH01e2102939980928ba16e7a3

Éditeur(s) : HAL CCSD European Geosciences Union (EGU)
Résumé : International audience
Pollen and clay mineralogical analyses of a Holocene sequence from Sebkha Boujmel (southern Tunisia) traces the climatic and environmental dynamics in the lower arid bioclimatic zone over the last 8000 years. During the Mid- to Late Holocene transition, between 8 and 3 ka, a succession of five wet/dry oscillations is recorded. An intense arid event occurs between 5.7 and 4.6 ka. This episode marks the onset of a long-term aridification trend with a progressive retreat of Mediterranean woody xerophytic vegetation and of grass steppes. It ends with the establishment of pre-desert ecosystems around 3 ka. The millennial-scale climate change recorded in the data from Sebkha Boujmel is consistent with records from the south and east Mediterranean, as well as with climatic records from the desert region for the end of the African Humid Period (AHP). Eight centennial climatic events are recorded at Sebkha Boujmel and these are contemporary with those recorded in the Mediterranean and in the Sahara. They indicate a clear coupling between the southern Mediterranean and the Sahara before 3 ka. The event at 4.2 ka is not evidenced and the link between events recorded in Sebkha Boujmel and the North Atlantic Cooling events is clearer from 3 ka onwards. These variations indicate the importance of climatic determinism in the structuring of landscapes, with the establishment of the arid climatic conditions of the Late Holocene. It is only from 3 ka onwards that the dynamic of plant associations is modified by both human activity and climatic variability. The climatic episodes identified during the historic period indicate strong regionalisation related to the differential impact of the North Atlantic Oscillation (NAO) and the Mediterranean Oscillation (MO) on the Mediterranean basin. The local human impact on regional ecosystems is recorded in the form of episodes of intensification of pastoral and/or agricultural activities. The development of olive production and of several taxa associated with agriculture attest to increasing sedentism among human populations during Classical Antiquity. The significant increase in Artemisia (wormwood) between 1.1 and 0.8 ka (850–1150 AD) is linked to intensive pastoral activity, associated with heightened interannual and/or seasonal climatic instability. A complete re-shaping of the landscape is recorded during the 20th century. The remarkable expansion of the olive tree, and the deterioration of regional ecosystems with the spread of desert species, is linked to recent local socio-economic changes in Tunisia.
ISSN: 1814-9324

hal-01319967
https://hal.archives-ouvertes.fr/hal-01319967
https://hal.archives-ouvertes.fr/hal-01319967/document
https://hal.archives-ouvertes.fr/hal-01319967/file/cp-12-1339-2016.pdf
DOI : 10.5194/cp-12-1339-2016

Éditeur(s) : HAL CCSD Cnrs
Résumé : International audience
Tourism, Labour, Migration : Relationships and Human Mobility. -- A significant economic reality, the tourism market is at the origin of new and varied migratory paths in an increasingly restrictive international context. Established and emerging tourist destinations provide interesting laboratories in which to analyse the logic of the multiple forms of contemporary mobility. They constitute platforms that receive flows of tourists and workers from which new migratory paths are forged. At the meeting points between various flows, interrelationships, overlappings, and new filiations take shape.
Turismo, trabajo, migración : interrelaciones y lógicas de movilidad. -- Como realidad económica consolidada, el mercado turístico se encuentra en el centro de trayectorias migratorias diversas y renovadas en un contexto internacional cada vez más complejo. Las zonas turísticas -las clásicas y las emergentes- constituyen interesantes laboratorios a la hora de analizar la lógica de las movilidades contemporáneas y sus múltiples recomposiciones.Estos lugares, que reciben flujos de turistas y trabajadores, son una especie de plataformas que generan nuevas corrientes migratorias. En estos puntos de encuentro entre flujos diversos surgen interrelaciones, imbricaciones, filiaciones.
Réalité économique établie, le marché touristique est au coeur de trajectoires migratoires variées et renouvelées dans un contexte international de plus en plus contraignant. Les lieux touristiques, anciens et émergents, constituent d'intéressants laboratoires pour analyser les logiques des mobilités contemporaines et leurs recompositions multiformes. Ils constituent des plates-formes qui reçoivent des flux de touristes et de travailleurs à partir desquelles s'établissent de nouvelles trajectoires migratoires. De ces points de rencontre entre des flux variés où se dessinent des interrelations, des chevauchements, des filiations.
ISSN: 0765-0752

hal-01413567
https://hal.univ-antilles.fr/hal-01413567
https://hal.univ-antilles.fr/hal-01413567/document
https://hal.univ-antilles.fr/hal-01413567/file/2002%20Tourisme%2C%20travail%2C%20migration%20interrelation%20et%20logiques%20mobilitaires.pdf
DOI : 10.4000/remi.1676

Éditeur(s) : Londres : Sampson Law, Marston, Searle & Rivington
Siècle(s) traité(s) : 19
Provenance : Archives départementales de Guadeloupe
Permalien : http://www.manioc.org/patrimon/ADG18114
ADG18114

Résumé : Publiée dans le cadre du premier Congrès international d'histoire coloniale à Paris
Siècle(s) traité(s) : 20
Droits : Domaine public
Provenance : Ville de Pointe-à-Pitre. Réseau des bibliothèques
Permalien : http://www.manioc.org/patrimon/PAP11103
PAP11103

Éditeur(s) : HAL CCSD Elsevier
Résumé : International audience
Increasingly, health risk assessment is addressing multiple pathway exposures to multiple contaminants. We reviewed aggregated exposure and cumulative risk approaches for contemporary and ubiquitous semivolatile organic compounds (SVOC). We identified 22 studies aggregating exposure pathways, and 31 cumulating risk. Exposure aggregation is based on the addition of pathway-specific doses, using kinetic modeling where it exists, and classic external dose equations otherwise. In most cases, exposure is dominated by a single route or source of exposure - mainly the oral pathway - via dietary or non-dietary exposure. Preferential routes and sources of exposure are influenced by SVOC physical-chemical properties such as vapor pressure. The cumulative risk approach for contaminants is based on dose addition. Simple sum of hazard quotient (Hazard Index: HI) is the most commonly used cumulative risk assessment approach, while Relative Potency Factor (RPF) appeared to the best suited – although this calls for a level of toxicological information that limits the number of compounds that can be studied simultaneously. Where both were performed, moving from HI to more refined approach produced similar results. In conclusion, both approaches - exposure aggregation and cumulative risk - rely on simple assumptions. Nevertheless, they allow uncertainty to be reduced, in comparison with source-by-source or chemical-by-chemical approaches.
ISSN: 0013-9351

hal-01635759
https://hal.archives-ouvertes.fr/hal-01635759
https://hal.archives-ouvertes.fr/hal-01635759/document
https://hal.archives-ouvertes.fr/hal-01635759/file/Pelletier%202017%20Review%20%20rev2.pdf
DOI : 10.1016/j.envres.2017.06.022

Éditeur(s) : Fort-de-France: Imprimerie du Gouvernement
Résumé : Pages volantes au début qui n'appartiennent pas au livre, table des matières manuscrite
Siècle(s) traité(s) : 19
Droits : Domaine public
Provenance : Archives départementales de Guadeloupe
Permalien : http://www.manioc.org/patrimon/ADG17020
ADG17020

Éditeur(s) : HAL CCSD
Résumé : International audience
OBJECTIVE: Contemporary pesticides, such as triazines or organophosphates, possess immunotoxic properties. We aimed to determine whether prenatal environmental exposure to these current-use pesticides was associated with otitis media (OM) during the first 2 years of life among children from the PELAGIE mother-child cohort. METHODS: The PELAGIE cohort enrolled 3421 women at the beginning of pregnancy in Brittany (France). At the 2-year follow-up, 1505 families completed a self-administered questionnaire, including the domestic use of pesticides and consumption of organic diet during pregnancy and occurrences of OM in the child. Two health outcomes were considered: at least one OM and recurrent OM (at least three). Multivariate logistic regression models that adjusted for known risk factors of OM were performed. Metabolites of triazine herbicides and organophosphate insecticides measured in urine collected before the 19th week of gestation (248 mothers) were considered in a subgroup analysis. Multiple imputation was used to handle missing values for the covariates. RESULTS: Children whose mothers reported an organic diet during pregnancy had a reduced risk of OM (at least one episode, p trend=0.01). No association was found between any outcome and residential proximity to crops. The presence in maternal urine of dealkylated triazine metabolites (OR=2.12 (1.01 to 4.47)) was positively associated with recurrent OM. CONCLUSIONS: To the best of our knowledge, this is the first work to suggest a positive association between prenatal exposure to current-use pesticides and the occurrence of parent-reported OM in young children
Occupational and Environmental Medicine

hal-01201944
https://hal-univ-rennes1.archives-ouvertes.fr/hal-01201944
DOI : 10.1136/oemed-2015-103039
PUBMED : 26347056

Éditeur(s) : [S.l.] : Murray
Siècle(s) traité(s) : 15
Droits : Domaine public
Provenance : Université des Antilles. Service commun de la documentation
Permalien : http://www.manioc.org/patrimon/HASH2cabbb39c250663de04713
HASH2cabbb39c250663de04713